by admin | Feb 22, 2022 | Restoration
Stefano Garosi, one of the best known Florentine restorers tell us about his long experience in the field Stefano, how did you become a restorer? What was your training path? It was a tortuous journey, a bit like being on a roller coaster. I come from a dynasty...
by admin | Feb 20, 2022 | Restoration
Alessandra, how did you become a restorer? At the end of my high school studies, I accidentally attended a series of conferences on restoration at the University of Lecce and I was fascinated by the presentation of the book on the restoration of the Sistine...
by admin | Feb 18, 2022 | Discoveries
What is doing in Ethiopia a wooden triptych apparently from the Sienese school? “The image of Our Lord Jesus Christ”, considered being the oldest African icon and exhibited to believers only once a year, was first described by Diana Spencer, an English art historian,...
by admin | Feb 18, 2022 | Restoration
50 years of the Italian Restoration Charter 1972-2022 Art. 5 […] any intervention on the works referred to in art. 1 must be illustrated and justified by a technical report which will show, in addition to the conservation vicissitudes of the work, the current...
by admin | Feb 18, 2022 | Authentications & attributions, Exhibitions
Not an anthology, not all possible Modiglianis, not a way to propose new Modiglianis, but an exhibition where he was more present than many other times. And a new concept from which, perhaps, we can finally find new ground for the attributions. The Métropole Musée...
