Stefano Garosi, one of the best known Florentine restorers tell us about his long experience in the field Stefano, how did you become a restorer? What was your training path? It was a tortuous journey, a bit like being on a roller coaster. I come from a dynasty...
Alessandra, how did you become a restorer? At the end of my high school studies, I accidentally attended a series of conferences on restoration at the University of Lecce and I was fascinated by the presentation of the book on the restoration of the Sistine...
The analyses reveal that they are three different versions but probably born at the same time Echoes of the exhibition at Villa Farnesina closed in January 2020 are still stirring debate today.The exhibition focused on the years Leonardo spent in Rome, between 1513...
What is doing in Ethiopia a wooden triptych apparently from the Sienese school? “The image of Our Lord Jesus Christ”, considered being the oldest African icon and exhibited to believers only once a year, was first described by Diana Spencer, an English art historian,...
50 years of the Italian Restoration Charter 1972-2022 Art. 5 […] any intervention on the works referred to in art. 1 must be illustrated and justified by a technical report which will show, in addition to the conservation vicissitudes of the work, the current...
