by admin | Feb 18, 2022 | Authentications & attributions, Exhibitions
Not an anthology, not all possible Modiglianis, not a way to propose new Modiglianis, but an exhibition where he was more present than many other times. And a new concept from which, perhaps, we can finally find new ground for the attributions. The Métropole Musée...
by admin | Feb 18, 2022 | Authentications & attributions
Avevamo il pittore più grande di tutti, secondo i contemporanei inglesi, ma dovette emigrare per vederselo riconoscere. Giovanni Battista Cipriani nacque nel 1727 a Firenze, dove si formò come pittore ed ebbe la migliore educazione possibile. Frequentò...
by admin | Jan 24, 2022 | Authentications & attributions
GianLorenzo Bernini, di padre sestese e madre napoletana, nato il 7 dicembre 1598 fu un artista straordinario, un genio del barocco. Fu un talento precoce, probabilmente anche grazie alla frequentazione della bottega del padre, che era un colto scultore di una certa...
by admin | Jan 24, 2022 | Art-Test News, Authentications & attributions, Discoveries, Restoration
Valorising works of art in their context to help reading the different historical-artistic stratifications The restoration of the splendid painted Cross kept in the Ghelli Museum of San Casciano Val di Pesa and attributed to the so-called “Master of San Lucchese” has...
by admin | Jan 24, 2022 | Art Word, Authentications & attributions, Discoveries
The analyses on the Man of Sorrows inflame the debate on attribution One of the last paintings by the Florentine painter still in private hands will be sold at the “Master Paintings and Sculpture” auction, Sotheby’s New York, on January 27, 2022. A few weeks before...
